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No.9
Culture, No.9  Dec. 5, 2011

TURNING EARTH’S HISTORY INTO PARKS: REVITALIZING REGIONAL COMMUNITIES WITH GEOPARKS GEOLOGY IS A NEW TOURISM RESOURCE

People have become well acquainted with the World Heritage designation by the United Nations Educational, Scientific and Cultural Organization (UNESCO), and municipalities in all parts of Japan are now looking to World Geoparks as a means for revitalizing regional communities and attracting tourists. The “geo” in the term represents features such as the ground, geology, the planet Earth, and Geopark literally means parks of the earth; geological parks. This is UNESCO’s new plan for protecting and utilizing the natural environment. The Global Geoparks Network (GGN; secretariat in Paris) established in 2004 has certified regions with important natural heritage from an earth... [Read more]

No.9
Culture, No.9  Dec. 3, 2011

UE WO MUITE ARUKOU (SUKIYAKI)

Ue wo Muite Arukou (Looking Up As I Walk) was a big hit for the Japanese singer Sakamoto Kyu (1941-1985). The lyrics by Rokusuke Ei were set to music by Nakamura Hachidai. As Sukiyaki, the song made it big in the United States, ranked No. 1 by Billboard magazine for the week ending June 15, 1963, and entering the Top 10 in the annual rankings for the same year. Here, we get to the bottom of the background and creation of a work that became a pioneer of Japanese content export, as it were. It was Kuwashima Akira, currently living in Camarillo in the suburbs of Los Angeles, who told me about Dave Dexter, Jr., the A&R man for Capitol, one of the Big Four record labels. A&R is the abbreviation of Artist and Repertoire, and it is a job that only exists in... [Read more]

No.9
Culture, No.9  Dec. 2, 2011

HOW J-POP COULD CONQUER THE ASIAN MARKET

The Japanese music market is number one in the world Japan’s music market will claim the world’s top spot this fiscal year. This reflects the decline of the U.S. market, which long held the lead, giving way to second-ranked Japan. Unfortunately, the Japanese market is also shrinking–the CD and music video market, 500 billion yen at its peak, is now around 300 billion yen–so this is no great cause for celebration, but we should applaud Japan’s achievement in overcoming a population difference close to three times its own to claim the top position. The shrinking market scale has much to do with the increase in music downloads via computers and cell phones. Downloads continue to expand, seemingly in inverse proportion to the drop in CD and package sales. Yet... [Read more]

No.8
Culture, No.8  Nov. 30, 2011

REASSESSING POST-3/11 JAPAN FROM AN AESTHETIC PERSPECTIVE

Viewing 3/11 as an intersection HAMANO Yasuki: A number of people have suggested that the Great East Japan Earthquake, or “3/11,” has provided an ideal opportunity to take a fresh look at Japan. You have summed up the issue very elegantly with the phrase “reassessing Japan from an aesthetic perspective.” What exactly did you mean by that? Hamano Yasuki HARA Kenya: I would just like to start by saying that 3/11 was a terrible disaster, so we need to make sure that we talk about it with the utmost respect. With that in mind however, I personally feel that 3/11 was a key intersection, or turning point. I’ll come back to this in more detail in a moment, but there have been other major events that have become turning points... [Read more]

No.8
Culture, No.8  Nov. 24, 2011

THOUGHTS ON YAMAMOTO SAKUBEI’S COALMINE PAINTINGS MODERNIZATION THAT DISAPPEARED AND UNESCO MEMORY OF THE WORLD

Painted records of coalmining now registered as Memory of the World The news that Yamamoto Sakubei’s painted records of coalmining were added to UNESCO’s Memory of the World (MOW) register on May 25 this year remains fresh in our minds. Accurately termed The collection of annotated paintings and diaries of Yamamoto Sakubei, this record includes 585 paintings, six diaries and 36 manuscripts among other documents at the Tagawa City Coal History Museum, together with four paintings, 59 diaries and seven manuscripts/documents donated by the Yamamoto family to Fukuoka Prefectural University (in Tagawa), for a total of 697 items. Yamamoto, who worked as... [Read more]

No.8
Culture, No.8  Oct. 4, 2011

MUSIC DOCUMENTATION AT THE NATIONAL DIET LIBRARY

We can find out about music and the history of its culture with the help of a range of resources including records, DVDs and other recordings, or audio-visual materials, musical scores, concert programs and so on. These materials about music are referred to as “music documentation”[1. In this article, music documentation is classified as follows on the basis of its content and format. Instruments are not included.The music itself: a) Recordings and audio-visual materials (documentation of actual performances of sounds or settings that have been recorded on some kind of medium such as records, CDs, DVDs, Blu-ray etc.), and b) musical scores: Documentation about music, materials relating to themes and activities where music is concerned (including books and magazines on music themes, lyrics, concert pamphlets, posters etc.)] at the library. Music documentation at various institutions in Japan... [Read more]

No.7
Culture, No.7  Sept. 30, 2011

UMESAO TADAO AND 3/11

Introduction Umesao Tadao (1920-2010) was a Japanese anthropologist and ethnologist, in addition to being an intellectual who strongly influenced Japanese society in the 1970s to 1990s. His activities were not confined to ethnology but extended to social commentary and studies on civilizations around the world. In his earlier years, Umesao predicted the arrival of an information society as seen today, being endowed with foresight into future society and culture. He also had significant influence in business and political circles. He proactively supported Japan’s cultural diplomacy and contributed greatly to the establishment and operation of the Japan... [Read more]

No.7
Culture, No.7  Sept. 27, 2011

CREATING A BEAUTIFUL NIGHTSCAPE USING LESS ELECTRICITY

The anything-as-long-as-it’s-bright approach The title “lighting designer” tends to conjure up images of people installing excessive lighting and wasting electricity. That is a common misconception. As lighting designers, we have to be experts in illuminating locations as efficiently as possible, and in creating pleasant spaces that are also safe. When someone tells us exactly how much power they want to consume and how much they want to spend, we have the confidence to create the best possible lighting scheme in line with those requirements. Our job has nothing to do with needless extravagance. It is a question of providing lighting that people... [Read more]

No.7
Culture, No.7  Sept. 26, 2011

A JOURNEY ALONG THE DESTROYED OKU-NO-HOSOMICHI (NARROW ROAD TO THE DEEP NORTH)

Not being able to offer even the nutrients of a slice of bread, nor the warmth of a single blanket, nor the usefulness of a single battery–this is what the words of poetry are all about. In particular, haiku poems are like fragments of words, with just 17 syllables. In the face of the overwhelming reality of the earthquake and tsunami disasters, I could not just sit there and say that a haiku poet does not need to concern himself with this. Wasn’t there something I should do too, even though all I had was 17-syllable poems? Uncertain feelings swirled around in my head. But I could not find an answer, no matter how hard I tried. I decided that I... [Read more]

No.7
Culture, No.7  Sept. 25, 2011

RECOVERY VIA STRENGTHS OF WORKERS (PART VI): TOHOKU ELECTRIC POWER

After the earthquake disaster, the first thing I wanted was light.” (Sato Shinichi, Director of General Affairs, Saito Hospital) “When the lights went on at home, I felt gratitude from the bottom of my heart.” (A woman living in the city) “The lights dispelled the anxiety that people were experiencing.” (Kimura Shin, Head of Disaster Countermeasures Office, Ishinomaki City) Ishinomaki City, Miyagi Prefecture. When I came here on April 21 to research this story, I met many people who were happy that the rays of hope that light up people’s lives were making a comeback in their day-to-day lives. At the time of the disaster, a total of 4.86 million households lost power in the area under the jurisdiction of Tohoku Electric Power Company. The scale is 7 times that of the Miyagi-Oki Earthquake of 1978. In order to deliver power to users, a ... ... [Read more]