Michi-no-eki or the roadside station system was launched in 1993, and has since expanded nationwide to a total of 1,040 locations, with annual sales reaching 210 billion yen (as of fiscal year 2012). This nationwide initiative continues evolving as a spearhead for local rejuvenation efforts promoted by the government. The following article reports on the program’s current status and outlook based on discussions held between Ishida Haruo, professor of the Department of Social Systems and Management at the University of Tsukuba, and Hashimoto Goro, Specail editorial board member at the Yomiuri shimbun. (The discussions were held at the Imperial Hotel, Tokyo.) The Michi-no-eki of the Ritsuryo period are reborn Hashimoto Goro: It has been twenty-two years since the start of the project to install Michi-no-eki, or roadside stations. These are rest areas located along standard roads. They have become very popular spots, and there ... ... [Read more]

The Fukuoka Asian Art Museum opened in the Hakata area of Fukuoka City, Fukuoka Prefecture, in 1999. In contrast to museums in Tokyo and Japan’s western urban areas near Kyoto, Osaka and Kobe, which feature works of Western and Japanese art, this art museum in Fukuoka was founded as the first museum dedicated to modern and contemporary Asian art. It is worth noting that since it opened, the museum has held Fukuoka Asian Art Triennale that focus on contemporary Asian art in addition to activities through permanent and special exhibitions and various art exchange programs. In 2014, the Fukuoka Asian Art Museum held an interesting exhibition titled “Toward the Modernity: Images of Self & Other in East Asian Art Competitions.” The art works exhibited were also shown at the Fuchu Art Museum in Tokyo and the Hyogo Prefectural Museum of Art. This was an ... ... [Read more]

Yoshizaki: It is my impression that 2014 was a dull year without any kind of theme. Even though it was an Olympic year and a World Cup year, there were no cool buzzwords. Compared to 2013 when we had a lot of snappy phrases like “je-je-je” (an expression of excitement) or “baigaeshi” (double revenge), 2014 was a lean year when it seemed that the only words on everyone’s lips were “Dame yo, dame dame” (No, you mustn’t, no, no). I wonder what 2015 will be like. Sakura: My impressions are similar. It was a year when the future seemed uncertain. So far, we have more or less had some idea of what will happen next, ]]> ... [Read more]

SAKURA Osamu KATASE Kumiko YASHIRO Yoshimi What Happened, and What Came to Light Sakura Osamu: Obokata Haruko, Unit Leader at RIKEN, announced in late January this year (2014) that she had established a method of producing STAP cells (acronym for Stimulus-Triggered Acquisition of Pluripotency; cells that have the capacity to become any type of cell that forms the body when stimulated), and the media reported it as “the discovery of the century.” But circumstances have changed significantly in a mere two months, and STAP cells are now the subject of numerous doubts. I would first like to ask the two of you about your basic understanding of this case. First, do you think that two Nature papers, principally authored by Obokata, were falsified in a critical manner? And second, should we consider that STAP cells are not yet verified, or are they? Professor Yashiro, ... ... [Read more]

HATTA Tatsuo – President, Asian Growth Research Institute SAITO Shiro – Executive Research Director at the Japan Center for Economic Research Population decline is beginning to cast a dark shadow across Japanese economy. It is considered to reduce the growth rate threatening the sustainability our social security system. But Hatta Tatsuo, President of the Asian Growth Research Institute, who is also chairman of the Government Working Group to Design National Strategic Economic Zones, has a different view. He says there is no need to fear a fall in population. So what is the basis for that? Saito Shiro, executive research director at the Japan Center for Economic Research, asked him. Population growth and development unrelated Saito: We hear it said a lot that one of the greatest problems facing the Japanese economy is the decreasing birthrate and aging population, and population decline. I also ... ... [Read more]

    NONAKA Ikujiro Professor Emeritus at Hitotsubashi University ASAHIOKA Eishun President of the Social Infrastructure Research Center Data unleashing human potential Nonaka Ikujiro: The biggest topic for the Japanese industries this year is the conversion of knowledge into data. For example, behavioral patterns of customers, which were not visible in the past, are made available for analysis and reflected to corporate strategies utilizing so-called “big data” (large volume digital data). Another example is Google’s development of self-driving cars, as well as the acquisition of several robot-related companies at the end of last year; these are also the efforts to convert as much knowledge as possible into the form of data. In this context, it seems the role of knowledge in society is facing a major change.  Asahioka Eishun: As a representative of a private sector think tank, I have been conducting research on ... ... [Read more]

From Otoko wa Tsurai yo (It’s tough being a man) to his latest Chiisai Ouchi (The little house), movie director Yamada Yoji has continued to portray the Japanese family for more than half a century. What has the Japanese family in the Heisei period lost from Showa?   BAISHO Chieko: I heard that with your latest, Chiisai Ouchi (The Little House), it’s already been fifty years since Shitamachi no Taiyo (The Sunshine Girl, 1963), which we worked on together. We’ve come a long way, haven’t we?    YAMADA Yoji: The movie Otoko wa Tsurai yo was started in 1969. Baisho: Torajiro Kurenai no Hana, which was the last of the Otoko wa Tsurai yo series was released in 1995, so it lasted twenty-six years. Yamada: Looking back, the Kurumas in that series was a collapsed family. I mean, Tora-san (main character of the series), ... ... [Read more]

The release of The Wind Rises, The Tale of Princess Kaguya, and then, Miyazaki Hayao’s announcement of his retirement: 2013 was truly the year of Ghibli. Read about their works and this country in an in-depth conversation that lasted for three hours by two master directors and a famous producer.   Suzuki: This is the first three-way conversation consisting of these members. And this might be the last. [Laughter] The year 2014 marks the thirtieth anniversary of the founding of Ghibli. Last year was a busy one, with the releases of The Wind Rises by Director Miyazaki Hayao, The Tale of The Princess Kaguya by Director Takahata Isao, and in addition, Miya-san [Editor’s note: Miyazaki] announced his retirement. So the aim was to have the three people get together and talk.  [Facing toward the direction of the editing team] Do you have anything you ... ... [Read more]

  They cannot do what they did after the Great East Japan Earthquake for all earthquakes. State risks require preparations on the part of autonomies and citizens. ORIKI Ryoichi Former Chief of Staff, Joint Staff Funabashi Yoichi has interviewed a number of people for this magazine (Bungeishunju) on the topic of the Fukushima Nuclear Power Plant accident and crisis leadership – writer Hando Kazutoshi (June 2013), former Chief of Fukushima No.2 Nuclear Power Plant Masuda Takahiro (August 2013), and Charles Casto of the U.S. Nuclear Regulatory Commission (October 2013). On this occasion, he meets former Joint Staff’s Chief of Staff Oriki Ryoichi, who was head of the army, naval and air forces at the time as the leader of the Self-Defense Forces’ uniformed personnel, to discuss the role of the Self-Defense Forces (SDF) in this incident and leadership as its former commander. FUNABASHI Yoichi ... ... [Read more]

In 2012, director Hosoda Mamoru scored a big hit with a movie called Wolf Children. Unlike conventional animated movies, it was full of messages aimed at families raising young children. On September 25, while the movie was in theaters, Hosoda’s first child (a son) was born, thrusting the director right into the heart of child raising himself. He met up twice with the genron etc.’s Editor-in-Chief, who himself has a daughter in elementary school, for an in-depth discussion regarding the hidden messages in Wolf Children and the isolating effects of becoming a father. Where does being a parent start? And where does it end? Hosoda Mamoru: I didn’t have children when I was making the movie. Although my wife and I had always wanted to be parents, we just hadn’t been blessed with a child at that point. We started going to the hospital ... ... [Read more]